(via amatterofform)

kiameku:

Natalie Czech Il pleut by April Elizabeth Lamm (Detail) 2012 Acrylic paint on C-Print 85 x 53 cm

kiameku:

Natalie Czech
Il pleut by April Elizabeth Lamm (Detail)
2012
Acrylic paint on C-Print
85 x 53 cm

kiameku:

Natalie Czech Series: Il pleut by Guillaume Apollinaire Guillaume Apollinaire, typset version, 1916

kiameku:

Natalie Czech
Series: Il pleut by Guillaume Apollinaire
Guillaume Apollinaire, typset version, 1916

"A certain blue enters your soul…a new era is coming"

Henri Matisse (via mihaicotiga)

lifeonsundays:

Robin Day, 1962.

lifeonsundays:

Robin Day, 1962.

(Source: uvre, via mini-mal-me)

usnatarchivesexhibits:

Letter from Benjamin Franklin to Vice President John Adams transmitting a petition from the Society for the Abolition of Slavery and an address of the people called Quakers on the subject of the abolition of the slave trade, 02/1790 
Item from Records of the U.S. Senate. (03/04/1789 -)
Here is a letter from Franklin to President Adams. Notice Benjamin Franklin’s closure: “Your Excellency, most obedient and humble servant…” 
Source: http://go.usa.gov/j8ZW

usnatarchivesexhibits:

Letter from Benjamin Franklin to Vice President John Adams transmitting a petition from the Society for the Abolition of Slavery and an address of the people called Quakers on the subject of the abolition of the slave trade, 02/1790 

Item from Records of the U.S. Senate. (03/04/1789 -)

Here is a letter from Franklin to President Adams. Notice Benjamin Franklin’s closure: “Your Excellency, most obedient and humble servant…” 

Source: http://go.usa.gov/j8ZW

(via fantasticjacket)

drawingstorage:

Giovanna Sarti, 2012, 1 of 100 sketches from the series “Chiare ombre - Scure riflessioni”, ink, metal dust and lack on paper, 29,7x42 cm

drawingstorage:

Giovanna Sarti, 2012, 1 of 100 sketches from the series “Chiare ombre - Scure riflessioni”, ink, metal dust and lack on paper, 29,7x42 cm

uncertaintimes:

imaginarymuseum.org

uncertaintimes:

imaginarymuseum.org

(Source: israellund, via fishwithlegs)

ipocrisia:

Alicja KwadeUsed and Tired - 2012pallet 85 x 80 x 40 cm

ipocrisia:

Alicja Kwade
Used and Tired - 2012

pallet
85 x 80 x 40 cm

(via fishwithlegs)

vvissionnairre:

Simon Nicaise

vvissionnairre:

Simon Nicaise

(via fishwithlegs)

exasperated-viewer-on-air:

Carey Denniston - To What Degree a Stone is a Stranger / To What Degree it is Withdrawing (CC), 2013
C-prints and custom wood frames
45 × 35 1/2 × 2 in / 114.3 × 90.2 × 5.1 cm

exasperated-viewer-on-air:

Carey Denniston - To What Degree a Stone is a Stranger / To What Degree it is Withdrawing (CC), 2013

C-prints and custom wood frames

45 × 35 1/2 × 2 in / 114.3 × 90.2 × 5.1 cm

(via fishwithlegs)

nicecollection:

Dan Flavin - icon V (Coran’s Broadway Flesh), 1962, Oil on cold gesso on Masonite, porcelain receptacles, pull chains, and clear incandescent “candle” bulbs. 31 5/8 x 31 5/8 x 9 7/8 inches (80.5 x 80.5 x 25.1 cm) including fixtures and lamps

nicecollection:

Dan Flavin - icon V (Coran’s Broadway Flesh), 1962, Oil on cold gesso on Masonite, porcelain receptacles, pull chains, and clear incandescent “candle” bulbs. 31 5/8 x 31 5/8 x 9 7/8 inches (80.5 x 80.5 x 25.1 cm) including fixtures and lamps

(via fishwithlegs)

"Later I’ll sweep away the nest—empty,
again, of everything but a blind
belief in the possible."

Peter Everwine, from “Another Spring” (via the-final-sentence)